Alternate
Fingering Chart for Boehm-System Alto, Bass, and Contrabass ClarinetAltissimo
Register: C6 to E7
This
fingering chart includes both basic fingerings and alternatives that are more
appropriate in some passages. Some alternate fingerings are designed for fast
passages, while others modify the tone, color, or pitch at normal and extreme
dynamic levels. These fingerings apply to Boehm-system alto, bass, and contrabass
clarinet unless specified otherwise. There is a separate alternate
fingering chart for soprano clarinets, which includes many alternates that
also apply to alto, bass, and contrabass clarinet. The throat
tone (F#4 to Bb4) and clarion (B4 to C6) fingerings
are identical among soprano, alto, bass, and contrabass models and are covered
on the soprano fingering chart.
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Note
| Written
| Fingering
| Description
| Src.
| C6 D6
| | RT -23|12- | | | |
RT -23|12-G# | | | |
RT 023|12- | | | |
RT 023|12-G# | | | |
RT ---|34--- | | | |
1--|--- | | | |
D6
| | RT 023|1--G# | | | |
R ---|--- | | | |
---|--- | | | |
---|4--- | | | |
D6 E6
| | RT 023|1-B-G# | | | |
RT 023|-2-G# | | | |
R G#---|--- | | | |
G#---|--- | | | |
E6 F6
| | RT 023|---G# | | | |
A---|--- | | | |
E6 F6
| | RT 023C#|---G# | | | |
RT 023C#|--B-G# | | | |
RT 123C#|123 | | | |
RT 123C#|---G# | | | |
RT 023|2---G# | | | |
A---|2--- | | | |
R A---|--- | | | |
F6 G6
| | RT 02-|--B-G# | | | |
RT 02-|--3F# | | | |
RT 12-|123G# | | | |
---|12---G# | | | |
R A---|2--- | | | |
RT 123E|123F | | | |
RT 023C#|123G# | | | |
G6
| | RT 02-|12-G# | | | |
RT 1--|123G# | | | |
RT 123|123F | | | |
RT ---|12--- | | | |
G6 A6
| | RT
---|---G# | | | |
RT 023|123F# | | | |
RT 023F#|123 |
|
|
|
RT –––|123 |
|
|
AR2 |
RT –––|123G# | |
Slightly sharper than previous fingering. | AR2 |
A6
| | RT ---|4---G# | | | |
RT 123|123 | | | |
RT 023|123 | | | |
RT -23|--3 | | In
tune. | MS |
R 123|1-- |
|
Slightly sharp. |
KR |
R 1––|––– | | | AR2 |
A6 B6
| | RT G#---|4---G# | | | |
-2-|4--- | | | |
-2Eb-|--- | | | |
RT 123C#|123F | | | |
RT 123|123G# | | | |
RT 023C#|––– |
|
Suitable for any volume. In tune. |
PH2 |
R 1--|34--- | | Easy
to play in tune, responds very well. | KR |
R 1--|34--3 |
|
Good tone, good response. |
KR |
B6 C7
| | RT 02-|12- | | | |
RT 02-|---G# | | | |
RT G#---|--- | | | |
RT G#-23|--- | | In
tune, responds well, beautiful tone. | KR |
RT G#-23|--3 | | In
tune, responds well, beautiful tone. | KR |
R ---|34--- | | | KR |
–––|––– |
|
Harmonic (G4). Use in combination with harmonic fingerings for A6, B6, and C7. |
AR2 |
B6 C7
| | RT G#---|2--- | | | |
RT A---|--- | | | |
RT 02-C#|12-G# | | | |
A1--|---G# | | Good
intonation. Fuzzy tone on plastic instruments. | DF |
RT 02–|4––– |
|
Suitable for any volume. In tune. |
PH2 |
RT
G#12|12 | | Slightly
sharp, easy to lip down, fast response. | RP | RT
G#023|12 | | Flat,
difficult response. | RP | C7 D7 | | RT G#1|41 | | Sharp,
but easy to lip down. | RP |
RT 0––|4––– |
|
Suitable for any volume. In tune. |
PH2 |
D7 |
| RT 023|1 | | | RP | RT
023C#| | | | RP | D7 E7 | | R 023C#| | | | RP |
–––|––– |
|
Suitable for any volume. In tune. |
PH2 |
E7 F7 | | | | Submit
a fingering for this note or for a higher note. | |
|