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Trill Fingering Chart for Oehler- and Albert-System Clarinet

Altissimo Register: C6 to C7

This fingering chart includes trill fingerings, which are fingerings designed for rapid alternation between two notes at an interval of a minor second (semitone) or a major second (whole tone) apart. Many of these fingerings can also be used as alternate fingerings for some fast passages. Keys to be trilled are indicated in red. When more than one key is to be trilled, the keys should be simultaneously pressed and simultaneously released, unless the description says to alternate pressing and releasing the keys. These fingerings apply to all sizes of Oehler- and Albert-system clarinet unless specified otherwise.

 

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Trill

Written

Fingering

Description

Src.

C6-D6

C#3-D3RT -23|123G#  
RT G#---|---  

C6-D6
D6-E6

C#3-D#3RT -23|123G#  

D6-E6

D3-Eb3RT -23|1-3G#  

D6-E6

D3-E4RT -23|1-3G#  
RT -23|1-3G#  

D6-E6
E6-F6

D#3-E4RT -23|1--G#  
RT -23C#|1--G#  

D6-E6
E6-F6

Eb3-F4RT -23|1--G#  
RT -23C#|1--G#Alternating trill, using RH 2 finger on RH 1 hole and RH 1 finger on C# key. 

E6-F6

E4-F4RT -23C#|---G#Preferably use RH 1 to trill. 

E6-F6
F6-G6

E4-F#4RT -23|---G#  

E6-F6
F6-G6

F4-Gb4RT -23C#|---G#  
RT -23C#|---G#  

F6-G6

F4-G4RT 123C#|123  

F6-G6

F#4-G4RT -2-|4---G#  
RT -2Eb-|---G#  
RT 12-|123G#  

F6-G6
G6-A6

F#4-G#4RT 12-|123G#  

G6-A6

G4-Ab4RT 1--|123G#  

G6-A6

G4-A4  Submit a fingering for this note. 

G6-A6

G#4-A4RT 1-3|1-3F  

G6-A6
A6-B6

Ab4-Bb4  Submit a fingering for this note. 

A6-B6

A4-Bb4RT -23C#|123F  

A6-B6

A4-B4  Submit a fingering for this note. 

A6-B6
B6-C7

A#4-B4RT -23C#|123F  

A6-B6
B6-C7

Bb4-C4  Submit a fingering for this note. 

B6-C7

B4-C4RT 12Eb-|12Bb-F  

B6-C7
C7-D7

B4-C#4  Submit a fingering for this note. 

B6-C7
C7-D7

C4-Db4  Submit a fingering for this note or for a higher note. 

 

Special thanks to Arnold Wendl (AW2) for submitting this Albert- and Oehler-system fingering chart. Fingerings in this chart were submitted by Wendl unless otherwise specified.

 

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by Timothy Reichard
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